French actress Marie-Catherine Masson stated Iranian filmmakers are good at making social dramas and are in a position to impress audiences with their movies.
Mason, who has lived in Iran for the previous eight years, made the remarks in an interview with Tehran Times. She cited Homan Seyedi’s “World War III”, Saeed Rustai’s “Leila’s Brother” and Asghar Farhadi’s “The Salesman” pretty much as good examples of highly effective Iranian movies that captivate audiences. .
Speaking about Iranian feminine administrators, she stated, “Some feminine administrators are ready to take a look at life and its challenges with sensitivity.” As an instance, she named Sadaf Followi for giving particular and detailed consideration to kids and their issues in her movies.
Comparing the Iranian and French movie industries, Masson stated that Iran has some distinguished filmmakers who’ve made nice strides of their work and whose fashion might be in comparison with French administrators.
Basically a French trainer, she has additionally appeared in Iranian movies and collection. She made her first look within the TV collection “Let’s Talk About the Past” directed by Hamid Nematollah in 2018, and likewise appeared in “Safe House” directed by Ahmad Moazami, wherein she performed the position of a French lawyer, and “Full Face” directed by Mahmoud. continued her actions. She performed an American girl in Moazami.
She performed the lead position in Roya Sharif’s romantic comedy In the Appointed Time 2, performed a Brazilian girl in Massoud Atiabi’s comedy Texas 3, and Mohammad’s drama Breath of the Wild. In Eater, she performs a Greek girl. cart.
Talking about her future plans within the Iranian movie business, she stated that she plans to collaborate with director and producer Roya Sharif on three extra movies, the titles of which might be introduced within the close to future.
Photo: Marie-Catherine Masson (C) “Safe House” scene
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